Cross Stitch
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The story of Cathy Earnshaw and the wild Heathcliff as they fall in love on the Yorkshire moors spans three generations and is seen through the eyes of the narrators Lockwood and Nelly Dean. Emily Bronte tells of the passion between Cathy and Heathcliff with such vivid intensity that her tale of tragic love has gripped readers for over 100 years.Amazon Exclusive: Editorial Director Elda Rotor on Classics That Never Go Out of Style
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A Study Guide to Emily Bronte’s Wuthering Heights
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Review by for Cross Stitch
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WHEN WAS THE LAST TIME YOU COMPLETELY LOST YOUR HEART TO A BOOK? Well, look no further. Diana Gabaldon has created the ultimate escape in The Outlander. Don’t let the 850 pages dissuade you. It’s the fastest read you’ll ever have.The epic tale begins when Claire Randall, a young combat nurse in World War II, moves to Scotland with her beloved husband to re-ignite their marriage interrupted by the war. Hiking one day, Claire accidentally passes through the stones of an ancient stone circle and wakes up to find herself in 16th century Scotland. Lost, alone, and confused (yet, determined), Claire’s path crosses, and is inextricably linked to, a young Highland warrior, James Fraser. (The kind of man women want, and men want to BE.)The story that ensues would make Shakespeare proud–danger, suspense, passion, betrayal, true love, and tragedy. Gabaldon is a master story teller. She shrouds her fantasy in just enough reality as to completely seduce her readers. The time-travel element as well as the romance, while unconventional for a “serious” historical novel, are handled brilliantly by Gabaldon. Not, for the faint of heart– the author tackles themes of a violent and sexual nature. However, the story is so realistic and beautifully told, it doesn’t come off as a ploy to shock readers. Well-crafted and meticulously researched, The Outlander is historical fiction at it’s finest-but never this much fun! The hero and heroine come alive. You’ll find yourself living and breathing in their world, anxiously devouring each chapter. WARNING: have the next three books in the series handy. Once, you turn the last page of Outlander, you won’t want to return to the 21st century. I couldn’t get to the bookstore fast enough. And, Gabaldon does not disappoint…
Review by for Cross Stitch
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I must admit, the synopsis on the back of this tome threw me off. I didn’t think I would be much interested in a romance novel based on time travel — it just seemed way too implausible. However, at the persistence of several friends from a book group, I gave this novel a try. I am certainly grateful that I did. Firstly, this is not merely a romance novel. It involves a romance, to be sure, but this romance is not one you’d find again and again in your average Harlequin. This is an original romance, which so completely describes love that I found myself better understanding love than I did at the onset of the novel. When a novel has the capacity to make you understand something as vague as love, you know it is good.
It is also filled with adventure, religion, and human conscience. A historical novel rarely has the ability to make me understand things about my own presence, and yet, Outlander simply did. I was unable to put this book down, as enraptured as I was by the compelling writing.
The character development is beyond any I have lately read. Dianna Gabaldon has a true gift for understanding human emotion and translating it for the rest of us to understand.
If you fear that the plot seems to be a bit too “outlandish” for you, still, give this one a try. While certain aspects may be unbelievable, the reality is, this novel has so much truth to it, you will be amazed. I was.
Review by SciFi lover for Cross Stitch
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For those who view this page to see what books other than Outlander that Diana Gabaldon wrote, look somewhere else. This is Outlander but published under a different name in Britain. Since it wasn’t stated anywhere, I thought I might clarify it. I loved Outlander so I gave it 5 stars, though 4 1/2 might be more correct.
Review by Kelly Ballard for Cross Stitch
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To clarify further from other reviews, this version of Outlander was also published in Australia which is where I purchased a copy.
Cross Stitch takes you on the most unbelievable rollercoaster road as far as your emotions are concerned. I think I cried about 7 times at various different points throughout the book, sometimes from joy and other times from sadness. It is a fierce and passionate love story as well as being an accurate interpretation of life in the 1700 & 1900′s, with many historical references throughout.
The main character Claire is a strong, intelligent and sometimes feisty woman who is very lovable. She’s married to Frank Randall in the year 1945 and manages to go back in time to the year 1743 in which she meets Frank’s sinister ancestor Captain Black Jack Randall and flees into the arms of a few Scottish clansmen. That’s when the real story begins!
What really impressed me about this book was Gabaldon’s realistic interpretation of the historical events of England and Scotland and the way in which she paints the world the characters live in. It ignited a passion in me to learn more about the times for that particular era which no other book I’ve read has been able to do. Having never been to the UK, I find myself wanting to visit the Scottish highlands and see for myself the landscapes that she painted so vividly in my mind and to visit their forts and castles.
Cross Stitch is a highly satisfying book, which gets my hearty vote of 5 out of 5!
Review by for Cross Stitch
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I don’t normally like books written in the first person. I *loved* “Outlander” (known as “Cross Stitch” in New Zealand). I read “Outlander” on the recommendation of a good friend and immediately fell in love with Jamie (as any living, breathing woman would). The book is rich in history, romance, drama… It has the qualities of a true epic, easily rivalling such classics as “Gone With the Wind”. Claire Randall is the reader’s guide into the story and throughout it’s sequels. It’s through her eyes that we are introduced to the way of life and harsh truths in those times. If you’ve never been to Scotland, you will be dying to go “Jamie Hunting” by the end of this book.For new Gabaldon readers, Outlander is the one to start with. Do not even attempt to read any of the sequels first. Even though it is not crucial to read them in order, you will get the most enjoyment by doing so. The second and third books in the series are not nearly as good. It is only the enjoyment of reading about familiar characters that kept me going. Nevertheless, by the time you have read all four books, you will be hungering for more.”Outlander” is the ultimate Gabaldon test. You will either hate it or love it. If you hate it, you won’t read anything by Gabaldon ever again. If you love it, you won’t be able to eat, drink or sleep until you have read the others. I am happy to say that I definitely belong in the latter category.
Review by Gary F. Taylor for A Study Guide to Emily Bronte’s Wuthering Heights
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Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural–and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily’s sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature.
Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet–it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.
The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family–which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a “Gipsy” child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.
WUTHERING HEIGHTS is a bit difficult to “get into;” the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.
As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world–dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.
It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once–and those who do like it will return to it again and again.
GFT, Amazon Reviewer
Review by Jana L. Perskie for A Study Guide to Emily Bronte’s Wuthering Heights
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“Wuthering Heights,” Emily Bronte’s only published novel, is a saga of two Yorkshire families who live in the remote Pennine Hills of England’s North Country. To me the book has always epitomized the best of gothic fiction. The narrative is filled with intensity of feeling, especially Heathcliff’s passionate love for his Cathy and hers for him – a love which endures beyond the grave. More than would be lovers, however, the two are soul mates and have been since their childhood. Cathy once told Nelly, her servant and friend: “My greatest thought in living is Heathcliff. If all else perished, and he remained, I should still continue to be… Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure… but as my own being.”
Yet, the novel is more than a love story. “Wuthering Heights” is about hatred, cruelty, delusion, frustrated yearning, obsession, deep despair and vengeance. At times its very darkness is depressing and painful. Yet love and faithfulness, which endure beyond death, bring hope and much needed light to this tale; as does a second love story, born from the seeds of the first. The author also addresses the issues of social class here. Both Linton and Earnshaw families are considered gentry. However, the Linton’s are a more educated, cultured group and appear to be of a higher class than those who reside at Wuthering Heights. Some of Catherine’s most crucial decisions involve moving up in society.
The story is told in a series of narratives, none of which are entirely reliable. During the winter of 1801, a gentleman named Mr. Lockwood rents a manor house called Thrushcross Grange in Yorkshire. He has a natural curiosity, and in time visits his neighbor and wealthy landlord, Heathcliff, a grim, forbidding man who lives at Wuthering Heights, a few miles from the Grange. Lockwood also makes the acquaintance of Heathcliff’s housekeeper Ellen Dean, called Nelly, and asks her to tell him about her employer and the history of those who reside at Wuthering Heights. He documents her narrative in his journal, and his written recollections make up the main portion of the novel. Much of Nellie’s tale consists of memories from years before, her observations of life with the Earnshaw family, her recollections of the Lintons, and her own conclusions, which are subjective. Lockwood, gets his information second hand, from Nellie’s perspective. He continually interprets, and misinterprets the relationships and actions of the characters who play such major roles here. So, it is up to the reader to make sense of it all – which is what the author intended.
As a young girl Nelly worked as a servant at Wuthering Heights for Mr. Earnshaw, the owner, his wife, and their two children, Hindley, and Catherine. Earnshaw returned from a business trip to Liverpool with a gypsy-like urchin, a dark-haired, handsome orphan boy. He had taken quite a fancy to the lad, a quiet, stoic child, and names him Heathcliff, after a son who died. Earnshaw decides to raise him with his own children. Catherine befriends Heathcliff almost instantly. They share a love of nature, and an emotional intensity unknown to most people. They are able to communicate with each other easily, even as young children, and both possess tremendously creative imaginations. The two roam the moorland wilderness, where they’re most at home, like wild creatures of nature, and become inseparable friends. Hindley detests Heathcliff from the first. He is jealous and goads the boy constantly. Eventually, after the death of his wife, Mr. Earnshaw begins to show preference for Heathcliff over his own son, which exacerbates the hostility. Finally, Hindley is sent away to school and Heathcliff is kept at home, at Earnshaw’s side.
Hindley comes into his inheritance some years later, at age twenty, when his father dies. Cathy is eleven years-old, and Heathcliff about twelve, when the heir returns to Wuthering Heights, and seeks vicious revenge for having his rights usurped by a wretched boy from the slums with no means of his own. Obviously Heathcliff cannot defend himself and is totally dependent on Hindley. He is forced to work as a laborer in the fields, and is treated harshly, as less worthy than an animal. He and Cathy maintain their closeness. They still wander the wild North country and she shares her studies with him. One night they pay a clandestine visit to Thrushcross Grange, home of the Linton family. Cultured, spoiled and very well behaved, young Edgar and Isabella live there. When a dog savagely bites Cathy, it is discovered that she and Heathcliff have been hiding in the brush spying. The girl is seriously injured and is forced to stay at the Grange for several weeks to recover. During her time with the Linton family, Mrs. Linton becomes intent on turning wild, mischievous Cathy into a young lady. She encourages her to become a young woman with manners and actions appropriate to her social standing in society, rather than the wild, headstrong creature she is while roaming the moors with Heathcliff. By the time Catherine returns home, in elegant new clothes, she has become infatuated with Edgar Linton. Needless to say, her relationship with Heathcliff deteriorates significantly, as he feels he is losing the only person he ever loved.
Edgar pursues Catherine relentlessly, and eventually, the young woman’s desire for social advancement, and an inexplicable fey, self destructive quality about her, prompt her to accept his proposal. However, she really does not love her fiance. She may care for him, but her feelings are much less than what her passionate nature requires. On the other hand genteel women of this period were supposed to have neither “passionate” nor intense feelings. “‘Here and here!’ replied Catherine, striking one hand on her forehead and the other on her breast: ‘in which ever place the soul lives. In my soul and in my heart, I’m convinced I’m wrong!’” Thus Catherine acknowledges to Nelly that her marriage to Edgar cannot be one of love. Although she knows that Heathcliff is her true love, however, she cannot marry him because he has been so debased by Hindley. “It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightening, or frost from fire”. Her powerful connection to Heathcliff is always present, no matter how annoyed she becomes with him. Heathcliff leaves Wuthering Heights a bitter man. He knows that if he had come from a better social class, or had wealth, Cathy would have married him. When he finally returns, years later, a self-possessed, successful, wealthy man, he is obsessed with revenge, and is more adept at exacting it than Hindley ever was.
Nelly continues her increasingly complex tale, (which I won’t spoil for you), of three generations: of births, marriages, deaths, traumas, complications, a second more hopeful love story and redemption. The most recurring theme is the great love and friendship, the everlasting connection, between Cathy and her Heathcliff, whose difficult nature is almost impossible to understand and to accept – unless, of course, one thinks about his unknown origins and early childhood as a homeless waif in Liverpool. One can only imagine the horrors he experienced wandering the streets of the rough port town, with neither protection nor kindness. What cruelty and meanness of spirit did he learn there? His terrible, inhuman treatment at Hindley’s hands certainly played a part in Heathcliff’s lust for revenge and lack of mercy, as did Catherine’s decision to marry Linton, which must have been devastating for him. Heathcliff remains a dark, brooding, cruel man throughout his adult years and never reforms. He is an anti-hero, at least in my eyes, as he also possesses good qualities, along with a terrible sadness, an emptiness and longing which he shows to Cathy alone.
Emily Bronte’s extraordinary prose is filled with powerful imagery. Miss Brontë spent most of her short life at home, in Thornton, Yorkshire, where she was happiest. She loved the surrounding moors – the wide, wild expanses, unsuitable for cultivation, and full of danger. There are bogs and wetlands on the moors, which can go virtually unseen, and where one can drown. It is also a place of great beauty. The author spent much time walking there with her dogs and was terribly unhappy when she was away. The similarities between the author’s natural environment and that of the area around Wuthering Heights and Thrushcross Grange are obvious. Ms Bronte drew inspiration from the regional Yorkshire architecture also, as well as her own personal experiences and her amazing imagination, a gift Charlotte, Emily, Anne and Branwell Bronte shared – with each other and with us. I have read a few Bronte biographies and always felt that the character of Catherine Earnshaw, certainly her intensity and love of nature, was based on Emily Bronte.
Keep a box of tissues handy throughout your reading of “Wuthering Heights.” I wonder if this is the first tearjerker?
JANA
Review by B. McEwan for A Study Guide to Emily Bronte’s Wuthering Heights
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There is a thin line between love and hate, and once Heathcliff crosses it, we see a grand, passionate and absorbingly interesting man turn into a fearsome thug. Thwarted in his love for his childhood soulmate, Catherine Earnshaw, Heathcliff turns his devastation outward, becoming a hateful — and hated — person all across the bleak moors that surround his Yorkshire village.
Heathcliff courts and marries the sister of the man whom Catherine chose over Heathcliff, only to torture her emotionally as a way of getting even with her brother. Meanwhile, Catherine slowly wastes away pining for Heathcliff, for although she once rejected him, she eventually realizes that she has made an irredeemable error and can never be happy. Heathcliff sums up the tragedy of their lives in a single question near the end of the novel when he asks, “Why did you betray your heart, Cathy?”
Sound depressing? It’s not. Wuthering Heights is a grand and glorious novel that dramatically illustrates the power of love, for good and ill. But more importantly, it teaches us that the only path to happiness is to be true to one’s heart, rather than one’s head. Had Catherine honored her bond with Heathcliff and refused to bow to the social mores of her day, not only would the two of them been much happier, but all of the many people whose lives they stumbled into would have been much better off.
Another reviewer said that those of us who love this novel probably have a strong identification with one of the characters, and for me that is quite true. That’s the reason for reading a classic like Wuthering Heights, because when it speaks to you in the clear and true way that Bronte does, you know that you are not alone, and that some things transcend time and place.
Think about it — a prim, Victorian preacher’s daughter living on the moors of England before there was electricity can reach across 150 years of time and speak to the heart of a wired American in the 21st century. Pretty amazing, and highly recommended.
Review by for A Study Guide to Emily Bronte’s Wuthering Heights
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I’m 16 and fall into the vast catogory of Wutehring Heights readers who had to finish it for a highschool english assignment. If I hadn’t been, er, forced to read it, I never would’ve encountered this amazing book. The themes that it encompasses, love, hate, revenge, isolation, are so masterfully blended in this book that I found it extremely powerful. True, it is not a romance – it is so much more. I didn’t find it confusing, although Joseph’s lines had to be read allowed several times before they were actaully understood. The doubling-up of names just increases the sense of isolation within the book, something which I think is rather important to the story. I hardly find this book boring at all, it’s passionate and full of action, something which took me completely off guard. Please, give it a chance. And even though he was a complete jerk, my favourite character is still Heathcliff. *G*
Review by Matthew Krichman for A Study Guide to Emily Bronte’s Wuthering Heights
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The fact that this novel was written when Emily Bronte was only 28 years old, two years before her death, makes one wonder what she would have been capable of had she lived longer and continued writing. I must admit, this was one of those books that I appreciate for its literary merit more than enjoy for its pure reading pleasure. But if the true test of a novel is how visceral of a reaction the reader has to its characters, then this is certainly a fine novel. Each of Bronte’s characters is exquisitely developed in his or her own way. And each evokes powerful emotional responses from the reader – mostly negative reactions of anger, frustration, disgust, etc. – but reactions, nonetheless. A well-written character, remember, does not have to be a character that you admire or love; pathetic, self-centered, cruel characters can be the product of exceptional writing, as long as they evoke genuine feelings of revulsion from the reader.And this novel is full of characters that will earn little admiration from readers. Indeed, the only character that was really “likeable” was the temporary tenant of the Wuthering Heights estate, to whom the story is recounted by Ellen, the servant. Ellen gives her account of the events that she witnessed as the domestic employee of Catherine, a self-centered, melodramatic eccentric who falls in love with Heathcliff, the gypsy who under somewhat mysterious circumstances is brought by her father to live in their home. Despite her love, Catherine marries Edgar, causing Heathcliff to devote the remainder of his years to exacting revenge for her betrayal. What follows is a dark, brutal, sometimes frightening tale of a pathological love affair and its tragic consequences.Bronte certainly did not view the world through rose-colored glasses, if Wuthering Heights is any indication of her personal world view. It can be a difficult read at times, only because the few redeemable qualities of the main characters are so powerfully overshadowed by their flaws, their cruel intentions, and the bleak outlook that Bronte portrays. It certainly deserves its place, however, among the classics of English literature, and its characters, despite their shortcomings (or perhaps because of them), will live long in the readers mind after the final page.